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William Blake was born in 1757 in Soho, London to a middle-class family of 7. Only attending school for just long enough to learn to read and write, after he was homeschooled by his mother. From an early age, he took a liking to draw and was extremely fascinated with literature with the greatest appeal to religion. Throughout his young adult life, he worked as an engraver and became a professional at the age of 21. Here he was exposed to a lot of work involving religion and church but more importantly the Gothic style he became very accustomed to in his later works. Following this, he attended the Royal Academy where he often rebelled against the president of the academy at the time. He submitted only six works during his six years attending the academy, and most wherein hypocrisy of the president. Later in his life, he married a woman named Catherine who helped him throughout his hardest times. He died in 1827 alongside his loving wife and working tirelessly on a painting.

Blake is considered to be a romantic artist, as he was painting during the romantic period, and almost all of his art draws inspiration from religion. He was a devoted Christian and very much displayed his love for God and beyond in his works. However, religious scenes and lovely depictions often were not his focus. Blake took a heavy liking to renditions of purgatory, as a lot of his works come from Paradise Lost, by John Milton, or the very well known Divine Comedy, by Dante Alighieri. Picking scenes and displaying the torture of the circles of hell, or travels of the protagonist were most of his work lies. His poetry works often drew inspiration from both the American and bloody French revolutions, however not much of his art followed suit.

Unlike most religious art, Blake’s art was very much focused on the negative and bleaker side of the coin. Much of this is due to how religion was perceived during that day and age as opposed to its view later on. Religion during this time was often based on the drive to be a decent person in order for you to go up to heaven and avoid endlessly punishment in one of the circles of hell. In a sense, you understand and perceive religion as to always be the sinner and need repentance. Blake believed that God was the judge, jury, and executioner of your life and that Jesus represented only merely as a balancing factor in your life. Often in his work, he liked to draw pain and hurt, or renditions of the devil as a way to almost reinforce this idea to be a good Christian or you will end up suffering endlessly.

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William Blake

1757-1827

Lovers Whirlwind

Parlor of Horror

Something more ominous, and more vivid is Blakes painting named "Parlor of Horror" (seen right). There is no story or background to this painting, however, I believe it draws on some religious inspiration. Following suit to "Lovers Whirlwind", this might be another circle of hell depicted. Venturing deep into hell is the layer of the heretics who were to suffer in a burning stone coffin. As seen, Blake could have adapted this concept and instead depicted the heretic burning as others watch as a display of the might of sinfulness. Blake's strong religious views make this idea more favorable. The bright oranges and deep reds bring out the fire and make this painting very bright and vivid, unlike most of Blake's more muted paintings. The expression of horror can be easily seen on the bystander watching the man burn alive.

The Lovers Whirlwind

This Painting (seen on the left) is one of Blake's most popular paintings. Dante's Inferno by Dante Alighieri was a book about the journey of Dante through the circles of hell, and from which Blake drew much of his inspiration. In accordance with the book, the second layer of hell was where a supposed whirlwind of people who sinned by being lustful. Blake depicts this vividly in his painting to show how these people were to endure their sin and show the agony of doing so. Being forever trapped to a life of being blown around, Blake uses this when painting the people in the whirlwind making their faces long and in complete distraught. The use of muted and drab colors add even more onto the lifeless and sad display of torture. 

Parlor of Horror

Page by: Frank Albano

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